/* Rainmaker 1997 -> modern Chrome compatibility layer.

   The original pages set their art with the HTML `background=` attribute,
   which tiles in both directions; on a 1997 monitor the art filled the window,
   so the repeat was never visible. On a modern display it is. Each background
   is drawn once instead.

   Alignment (top-left) and scale (natural size) are left exactly as the
   original attribute produced them -- the art is not stretched to cover the
   viewport. Uncovered area falls through to the page's own BGCOLOR. */
body {
  background-repeat: no-repeat;
}

/* Filmmakers, Movie and Clips sections.

   Each section backdrop carries its artwork in the top ~310px with black
   padding below, and each sits behind a page taller than the art itself. At a
   1080px-wide content frame: filmmakers_right1.html is ~2100px against 1500px
   of art, movie_right1.html ~6600px against 1500px, trailer_right1.html
   ~1400px against only 800px. Narrower windows reflow the text longer and
   widen the gap further. Once the tiling stopped, everything past the art sat
   on plain black -- the lower filmmakers, most of the production notes, and
   the foot of the clip list.

   Pinning the art to the frame's viewport puts it behind all of that, so
   jumping to any name from a left-hand list, or reading down a long page,
   keeps the same header art the section's landing view shows. The art is still
   drawn once, at natural size, from the frame's top-left; only its scroll
   behaviour changes. The left-column images are included so each section stays
   consistent if that frame is ever taller than its art. */
body[background="images/f_bg1.jpg"],
body[background="images/f_bg2.jpg"],
body[background="images/m_bg1.jpg"],
body[background="images/m_bg2.jpg"],
body[background="images/t_bg1.jpg"],
body[background="images/t_bg2.jpg"] {
  background-attachment: fixed;
}